Bach Bibliography Search Result

Author : Babitz, Sol
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	The Great Baroque Hoax: A Guide to Baroque Performance for Musicians and Connoisseurs.				1970	51p
	2.	Recent Findings in 18th Century Performance Style.	AmerStringTeacher	15	1	Winter 1965	10-12, 14-15
	3.	To the editor of Bach.	Bach	3	2	Apr 1972	40-43
	4.	To the Editor of BACH.	Bach	3	3	Jul 1972	43-44
	5.	Das Violinspiel im 18. Jahrhundert und heute.	[cr]Kassel1962			1963	313-315
	6.	On using early keyboard fingering.	Diapason	60	3:711	Feb 1969	15-28
	7.	On using early keyboard fingering.	Diapason	60	4:712	Mar 1969	21-26
	8.	On using early keyboard fingering.	Diapason	60	5:713	Apr 1969	21-24
	9.	Additions & corrections to all bulletins: polemics	EarlyMLabBul	12		1975	26p
	10.	Note-separation in musical performance, and other matters	EarlyMLabBul	13		1976	24p
	11.	Differences between 18th century and modern violin bowing: with corrections and additions from the 1970 edition, and additional material as of 1974, with an appendix on the reconstruction of the baroque, Reinaissance & transition violins.	EarlyMLabBul	2a		1975	iv, 26p
	12.	On using early keyboard fingering.	EarlyMLabBul	3		1969	24p
	13.	Concerning the length of time that every note must be held.	EarlyMLabBul	4		c 1975	37p
	14.	Treatise on the ornaments of music / Giuseppe Tartini.	EarlyMLabBul	6		1970	40p
	15.	Facsimile reprint of the first edition (Simrock - Bonn - 1805) of The Six Solos for Violin without Bass Accompaniment by Johann Sebastian Bach.	EarlyMLabBul	7		1971	43p
	16.	Commentary on EML tape-recording 2 illustrating Bulletins 1-6.	EarlyMLabBul	8		1971	39p
	17.	The Six Solos for Violin without Bass Accompaniment by Johann Sebastian Bach.	EarlyMLabBul	9		1972	xxviii, 45p
	18.	Notes Inégales: A Communication.	JAMSoc	20	3	Autumn 1967	473-476
	19.	On using J. S. Bach's keyboard fingerings.	MLetters	43	2	Apr 1962	123-128
	20.	A problem of Rhythm in Baroque music.	MQ	38	4	Oct 1952	533-565
	21.	'Concerning the Length of Time that Every Note Must be Held.'	MReview	28	1	1967	21-37
	22.	The Vega Bach Bow. A Reply to Dr. Emil Telmányi.	MTimes	96	1347	May 1955	251-253
	23.	The Need for Authentic Performance of Early Music. A reply to Dr. Telmányi.	MTimes	97	1355	Jan 1956	39
	24.	'Anmerkung, welche die Zeit, wie lange jede Note gehalten werden muß, betrifft'.	Musica	23	1	Jan-Feb 1969	8-14
	25.	Differences between 18th century and modern violin bowing.	Score		19	Mar 1957	34-55